ID |
Image |
Painting(From A to Z) |
Details |
35130 |
|
A Country Road |
mk100
1873
Oil on canvas
70x57cm
|
60710 |
|
Early Spring. Thaw. |
Early Spring. Thaw. (1880s).
|
60708 |
|
Evening. Migration of birds, |
Evening. Migration of birds, 1874
|
60698 |
|
Landscape with River and Angler |
Landscape with River and Angler (1859).
|
60709 |
|
Monastery Gates |
Monastery Gates (1875).
|
60703 |
|
Monastery of Caves near Nizhny Novgorod |
Monastery of Caves near Nizhny Novgorod (1871).
|
78181 |
|
Oil on canvas painting entitled |
Oil on canvas painting entitled "Elk Island in Sokolniki" (xxxxxxx xxxxxx x xxxxxxxxxxx); 68x88 cm.cjr |
60707 |
|
Rafts |
Rafts (1873).
|
60705 |
|
Rainbow |
Rainbow (1873).
|
60712 |
|
Rasputitsa |
Rasputitsa (Sea of Mud, 1894)
|
60699 |
|
Rustic View |
Rustic View (1867).
|
60706 |
|
Spring Day, |
Spring Day, 1873
|
60711 |
|
Spring. Kitchen Gardens |
Spring. Kitchen Gardens (1893) |
60704 |
|
Sukharev Tower |
Sukharev Tower (1872).
|
60702 |
|
Sundown over a marsh, |
Sundown over a marsh, 1871
|
60695 |
|
The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma. |
The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma. |
35088 |
|
The Rooks Have Returned |
mk100
1871
Oil on canvas
|
60697 |
|
View in the Neighborhood of Oranienbaum |
View in the Neighborhood of Oranienbaum (1854).
|
60696 |
|
View of the Kremlin from the Krymsky Bridge in Inclement Weather |
View of the Kremlin from the Krymsky Bridge in Inclement Weather (1851).
|
60701 |
|
Winter |
Winter (1870).
|
60700 |
|
Winter Night |
Winter Night (1869).
|
|
Alexei Savrasov Russian Painter, 1830-1897
was a Russian landscape painter and creator of the lyrical landscape style. Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Rabus at the Moscow School of Painting, Sculpture and Architecture (graduated in 1850), and immediately began to specialize in landscape painting. In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the Moscow School of painting, sculpturing and architecture. His best disciples, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude. The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma.In 1857, he married Sophia Karlovna Hertz, sister of art historian K. Hertz. In their home they entertained artistic people and collectors including Pavel Tretyakov. Savrasov became especially close with Vasily Perov. Perov helped him paint the figures of the boat trackers in Savrasov's Volga near Yuryevets, Savrasov painted landscapes for Perov's Bird catcher and Hunters on Bivouac. In the 1860s, he traveled to England to see the International Exhibition, and to Switzerland. In one of his letters he wrote that no academies in the world could so advance an artist as the present world exhibition. The painters who influenced him most were British painter John Constable and Swiss painter Alexandre Calame. The Rooks Have Come Back (1871) is considered by many critics to be the high point in Savrasoves artistic career. Using a common, even trivial, episode of birds returning home, and an extremely simple landscape, Savrasov emotionally showed the transition of nature from winter to spring. It was a new type of lyrical landscape painting, called later by critics the mood landscape. The painting brought him fame. In 1870, he became a member of the Peredvizhniki group, breaking with government-sponsored academic art. In 1871,
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